Absolutely nothing gets lost in the translation of Sanaz Toossi’s English as the Pulitzer Prize-winning play about a group of Iranians longing for the West finally makes its Broadway debut, two years after its Off Broadway bow garnered critical raves and regional stagings won over audiences with its unfailing wit, grace and compassion.

I hate when we use the word family in theater, but I do make an exception for them,” Toossi tells me of that group. Funny, contemplative, and rather glamorous, she tells me that her cast is “just the most beautiful,